Filed under: heirloom

Great Expectations and the Anatomy of an Artist

There are many facets to an artist, but one quality that most, if not all artists possess to some degree is in... in... insecurity.  There! I've said it.  Not that I want to admit it but it's true, if we're honest that is.  So who wants to show that bit of dirty laundry?  NO ONE!  That's a character flaw for Pete's sake.  So, we cover it up, or try to anyway.

It is 200 years ago today that Charles Dickens was born, and as a consequence there is much in the media celebrating his life and amazing writings. I heard Simon Callow, the actor and also biographer of a new book on Dickens, say today : '"Dickens' greatest fiction was his own character.....People think of him as a jolly chap ... but he was ... increasingly plagued with depression and a sense of hopelessness and despair. And that's worth knowing. I think it's always good to know that great creative individuals have their struggle, their drama." How well put. Or as writer friend said to me when I asked, "do you ever wonder if you're good enough?" and he answered, as he puffed on his pipe, "Ah yes, that is a question we really don't want to ask ourselves." 

So then I think, perhaps it is the insecurity that drives us on in some way, to prove to ourselves that we do have a gift,  but then we try to take it back as if we were the source, rather than what it is, a gift.

Charles-dickens-007

 

 

One on One - the core and the veneers are joined

You will now see the oyster veneer skin laminated to the core (which was made weeks prior) in the mold which was made especially for this shape.  The underside skin of spalted scrub oak veneer is being laminated at the same time but we didn't film it.  The adhesive, urea resin, is somewhat toxic in the resinous state but is quite inert once it has cured.  It gets very hard, not unlike epoxy, and adheres very well to wood.  A piece of high pressure laminate (Formica) is used as a hard flat face to push the veneer down flat.

One thing that is not noticeable with the mold but adds a nice subtle aspect, is that it is not only a volute like curve , but also has a mild helical turn so that it flairs open slightly at the front.  Just a detail that adds a bit more movement to the piece. 

 

(download)

Oyster Veneer - bringing the 17th century into the 21st

Oyster Veneering was a technique used to embelish exquisite furnishings in the 17th Century. The name was given due to the resemblance of cross cut wafers to a whole oyster shell. It is a labor intensive procedure even with our modern methods but the finished product is well worth the time and effort.

In this video, you will see the process I use in the fabrication of the oyster pieces being joined together to create the veneer. The wafers start off at 3/16" thick and sanded to 1/16" once the wafer oysters are all joined together.

(download)

N.B. No live oysters we eaten or harmed in anyway during the making of this film.

 

"Game On" the Piece and the Process

You may have seen my latest creation which I named "Game On". My sweet and most devoted fan, Susie, has made a series of videos that might be of interest. What a fantastic job she has done putting this together. I am always amazed at the things she figures out how to do and in such a short amount of time.

There are numerous clips so we won't put them all up at one time but here a couple to start things off. 

If you have't seen the album of photos, you can check that out on the Facebook Page.

(
download)
(download)